Interior designer Amy Morris and architect Frank Neely revive a storied midcentury modern for an exuberant young family.
For years, the light-flooded ranch sat relatively untouched on its hillside perch, until the homeowners found the house and embraced the idea a full-scale renovation. The original house—defined by its simplicity with clean lines and a multitude of windows celebrating the outdoors—was designed by Andre Steiner, a Bauhaus-trained architect and unsung Holocaust hero. After fleeing Europe in the ’40s, Steiner called Atlanta home, and this house is one of his last remaining works. “The goal was to keep as much of the original form and integrity of the house as we could,” says Neely of the strategy to build up. “We went to work on a second story that Steiner would be proud of.”
Neely’s team took Steiner’s chimney up through the second floor, maintained his division of public and private spaces and preserved the late architect’s signature styles: deep overhangs, perforated brick walls and ribbon windows that curve dramatically around the house. “A major focal point is the cantilevered staircase alongside a wall of solid black walnut,” says Neely of the new-as-old addition. “We came up with phenomenal shapes of wood to work into a random cadence.”
“We wanted to let the architecture sing by creating a balance with color and texture,” says Morris. On the main level, the kitchen and family room funnel into the living room, where the homeowners’ inherited midcentury pieces are covered in a warm palette of blue, gold and refined freewheeling prints. “It was a matter of mixing original midcentury with current midcentury, which sounds like an oxymoron,” says Morris, who reupholstered older furnishings in new fabrics and added more cushioning.
Simple and functional, elegant sectional sofas proved to be Morris’s secret weapon, as well as a seating solution for a family who loves to entertain. Amid curved forms, deep tufting and velvet fabrics, lighting was a key element to the design scheme. “Midcentury tends to be lower than most furniture, so I added height throughout with larger lamps,” says the designer, known for her penchant for robust light fixtures.
On the second floor, the color story changes, gaining momentum with unexpected wallpaper and the perfect pop of vivid saturation. “There are brick walls and a foyer wall with fabulous paneling, but there’s not much texture in the new part of the house, so we created it with wallpaper,” says Morris. The kids’ bedrooms and playroom offer updated iterations of psychedelic patterns, from botanical to geometric, in a cheerful mix of blues, greens and yellows.
The exception to this dynamic rhythm is the master bedroom, a testament to Morris’s ability to make layered prints and styles read airy and sophisticated. “We did print-on-print for the custom headboard and window treatments, but it’s still calming because of the color palette,” she says. “We tried to make it a subdued retreat for a couple with three kids.”
If the mood calls for it, the Wilsons have been known to host a Mad Men-style soirée, and their environs certainly lend to it. However, most days in their inspiring new home are about creating: Leslie working in her basement art studio and the kids crafting upstairs. It’s a spirit that’s true to the house’s old soul. “We hope to be here for a while,” says Leslie. “It just feels right.”